Archiv für die Kategorie „Interviews“

Olaf Bathke, Fotograf aus Kiel, ist spezialisiert auf die Bereiche Landschafts- und Portraitfotografie. In diesem Blog berichtet er über die Fotografie, die Entstehung von Landschaftsfotos, seine Arbeit als Fotograf in Hamburg bzw. als Hochzeitsfotograf in Hamburg bzw. Kiel und was ihn sonst noch so bewegt.

Interview No. 049: Ralph A. Clevenger

Montag, 26. April 2010

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Date: April 24, 2010

About Ralph A. Clevenger.
I grew up on the coast of North Africa and began diving in the Mediterranean Sea at the age of 7 with my father. I went on to study zoology at San Diego State University and then attended Brooks Institute of Photography. Today I live in Santa Barbara, California where we operate our free-lance photo business and I teach at Brooks Institute.

I have followed my passion for the natural world by specializing in location photography and video projects of wilderness eco-travel, natural landscapes, wildlife and undersea subjects. I’ve been fortunate to travel throughout the world on assignment for clients like Islands Publishing, Fox Sports Network, MacGillivray-Freeman Films, and many others. Ralph’s stock images are represented worldwide by Corbis Images. (weiterlesen…)

Interview No. 048: Alexandre Buisse

Mittwoch, 30. Dezember 2009

alexandre-buisse-chopicalquiAlexandre Buisse- Chopicalqui

Interview mit Alexandre Buisse

Date: 2009/12/24

About Alexandre Buisse

I am a 24 years old French photographer, currently living in Copenhagen, Denmark. I picked up a camera four years ago to accompany me in my hikes in the Alps, and things have grown from there. I am now specializing in mountain landscapes and climbing photography. I am also halfway through the obtention of a PhD in theoretical computer science. (weiterlesen…)

Ein großer Kamerahersteller sucht nach dem optimalen Algorithmus zur Berechnung von JPG Dateien

Dienstag, 18. August 2009

Heute habe ich mit einem befreundeten Fotografen, der sehr gute Kontakte in die Industrie hat, ein bisschen gefachsimpelt.

Besonderes eine Information fand ich so interessant, dass ich sie hier posten möchte.

Solange mir die offiziellen Belege fehlen, würde ich das ganze natürlich eher als Gerücht einstufen.

Einer der beiden größten Digitalkamerahersteller (bei dem ich nicht Kunde bin) soll mit einer Gruppe von Forschern zusammenarbeiten, die in der ganzen Welt Fotografen interviewen. Diesen Fotografen werden Ausdrucke von bestimmten Fotos jeweils mit unterschiedlichen Farbprofilen zur Begutachtung gegeben. Die Fotografen sollen dann sagen, welches der Fotos sie am meisten anspricht. Ziel ist es, einen Algorithmus zu finden, der aus den RAW Daten JPGs berechnet, die Fotografen optimal gefallen. Interessanterweise sollen diese Algorithmen in unterschiedlichen Regionen später auch unterschiedliche JPGs produzieren.

Sollte dieses Gerücht zutreffen, so ist es unter verschiedenen Gesichtspunkten sehr interessant.

Was bedeute es für einen Workflow?

Gäbe es dann etwas beim Kamerakauf zu berücksichtigen?

Wie verhalten sich andere Kamerahersteller?

Kann hier irgendjemand dieses Gerücht bestätigen? Was meinst Du zu diesem Vorgehen?

Interview No. 047: Alastair Humphreys

Montag, 17. August 2009

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Date: 12th August 2009

About Alastair Humphreys. Adventurer, author, speaker: www.alastairhumphreys.com/about

1. What makes a good photo for you?
Something that reminds me that even “normal” things are beautiful if only you remember to look.

2. What do you not like in photography at all?

(weiterlesen…)

Interview No. 046: Miss Aniela

Dienstag, 24. März 2009

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So werden ausdrucksstarke Selbstportraits gemacht!!!

About Miss Aniela:
http://missaniela.com/

1. What makes a good photo for you?

I struggle with this question daily. I look at the pictures already in my portfolio and try to categorise them into different types, determining for which images the ‘capture’ was more important or the processing was more important. For each, I try to say what it is about the capture, or processing, that made it a ‘good photo’ in my eyes.
I have realised that shape is so important. The SHAPE one creates in a photography, whether in the camera itself, or when compositing pictures together in processing. The shape of the subject, that you have created, is everything. The shape you have made with the light, with someone’s face and body, with objects. There has to be some character to whatever you have photographed, embodied within its shape.

2. What do you not like in photography at all?
Can this question be about anything, technical or conceptual? I do not like pretentiousness: people claiming the can judge a good photo. Then again, I like to judge other people’s work, and my own work, but I don’t like to impose my views on others necessarily.
I have my preferred subjects to look at: women, animals, some landscapes. The images that bore me tend to be those that do not do anything different: for example, the typical sunset pictures that tries to ‘correctly’ perform the conventions of photography, other tame, ’safe’ cliches like women in conventional poses, that are trying only to appeal to the mass general public and not challenge the status quo.

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3. Which book helped you most in the development of your photography?
I dip in and out of books, especially ones with lots of images. I suppose a book on Balthus inspired me the most, in that I created a whole series of inspired pieces.

4. Which internetlink would you advice other photographers?
Oh, Flickr.com, of course. ;)
Or, missaniela.com!

5. How would you describe your photographic style? What is characteristic about your photos?
I think this question is for each of my viewers to answer, according to their own interpretation. However, if I were to describe my own style, it would be: colourful, moving, beautiful, challenging: always seeking interesting shapes, particularly from the human body (my own, mostly). I like to touch upon the surreal, without losing the ‘real’. I love overt processing, but not to make something look too far from a ‘photograph’; that crucial halfway-house between a painting and a photograph. I like to make things simple, which is why I have an inclination for less equipment, and also for nudes. I like to get enough of a context into a photo without being too far away from the subject.

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6. What was your most intense photographic experience?
It is hard to think of my most ‘intense’ experience, because most of my work consists of small, short sessions producing one final image. In that case, my most intense was probably my lampshade Balthus series I did in a hotel. I produced at least four images in one day, in the same place with the same theme, which is rare for me. I was very pleased with being able to produce so many images I was individually satisfied with, in one space of time.
(the four with lampshades in this set: http://www.flickr.com/photos/ndybisz/sets/72157604250789383/)

7. What is your favourite tool/equipment when you are taking photos?
Other than the camera itself? My wireless remote, which I have only recently acquired! 90% of my self-portraits are taken with the 10-second timer: others, with a wired remote (not as convenient as wireless but still helps), or with a person assisting, holding the camera for me (boyfriend or sister),

8. Who is your favourite photographer/ your photographic idol?
I don’t have one, I don’t know one photographer too well. I have started to learn more about Cindy Sherman, Annie Leibowitz (from people telling me of their similarities to certain images of mine); I also have a book of Ruth Orkin’s pics. I like Gregory Crewdson, Julia Fullerton-Batten. I don’t look at enough books!

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9. What is in your fridge at the moment?
It’s rather empty at the moment. I have a big bottle of whole milk (I have a glass every day), some mint leaves, sauerkraut, butter, a yoghurt, various condiments.

10. What is your favourite music/ your favourite musician?
I like allsorts, including Robert Palmer, Michael Jackson, The Darkness, The Offspring, RDB, Elektryczne Gitary.

11. What advice would you give to an ambitious photographer?
Be open-minded and take a second opinion, but ultimately, do what you want. Try to be different, and aim to be paid for it.



Olaf Bathkes Arbeit als Fotograf und Hochzeitsfotograf in Kiel und Hamburg läuft mit WordPress
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