{"id":565,"date":"2010-10-27T09:25:24","date_gmt":"2010-10-27T07:25:24","guid":{"rendered":"http:\/\/www.olafbathke.de\/photography-blog\/?p=565"},"modified":"2010-10-27T09:25:24","modified_gmt":"2010-10-27T07:25:24","slug":"gold-n-blue-polarizer-rules-for-the-serious-landscape-photographer","status":"publish","type":"post","link":"https:\/\/www.olafbathke.de\/photography-blog\/2010\/10\/27\/gold-n-blue-polarizer-rules-for-the-serious-landscape-photographer\/","title":{"rendered":"Gold-N-Blue Polarizer: Rules for the serious landscape photographer"},"content":{"rendered":"<p>Optimal equipment is the basis for perfect photos. Equipment reliability and perfection is just as important as the knowledge about the possibilities of any gadget. As a believer of the principle \u201eless is more\u201c I limited myself to only the equipment that is necessary for the development of my photographic vision.<\/p>\n<p>Before a photo tour I always consider carefully exactly what must actually go into the backpack. Filters are the icing on the cake for a landscape photographer. My filter backpack is therefore always well filled.<\/p>\n<p>Technical facilities cannot be replaced by the digital retouching of photos. Lightroom &amp; CO cannot:<\/p>\n<p>\u2022\torganize light permeability,<br \/>\n\u2022\tcontrol the shutter speed,<br \/>\n\u2022\tfilter the reflection of light,<br \/>\n\u2022\tproduce special colored effects.<\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/www.olafbathke.de\/photography-blog\/files\/2010\/10\/Gold-N-Blue-Polarizer-02.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-full wp-image-567\" src=\"https:\/\/www.olafbathke.de\/photography-blog\/files\/2010\/10\/Gold-N-Blue-Polarizer-02.jpg\" alt=\"\" width=\"548\" height=\"365\" srcset=\"https:\/\/www.olafbathke.de\/photography-blog\/files\/2010\/10\/Gold-N-Blue-Polarizer-02.jpg 548w, https:\/\/www.olafbathke.de\/photography-blog\/files\/2010\/10\/Gold-N-Blue-Polarizer-02-450x300.jpg 450w\" sizes=\"(max-width: 548px) 100vw, 548px\" \/><\/a>One of my favorite filter effect: Gold-N-Blue<\/p>\n<p>One of my favorite filter is<!--more--> the <a href=\"http:\/\/www.singh-ray.com\/goldnblue.html\">Gold-N-Blue Polarizer<\/a> from Singh Ray.<\/p>\n<p>There are simliar filter from Cokin and Lee for smaler budget. They do a similiar job.<\/p>\n<p>In certain light situations the Gold-N-Blue Polarizer creates a unique effect, without which I would not like to photograph any longer. Because of the strong effect its use must be well considered. Without paying attention, the color effect of\u00a0 it seemed tawdry.<\/p>\n<p>Over the years I develop some rules, according how to use the Gold-N-Blue Polarizer:<\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/www.olafbathke.de\/photography-blog\/files\/2010\/10\/Gold-N-Blue-Polarizer-03.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-568\" src=\"https:\/\/www.olafbathke.de\/photography-blog\/files\/2010\/10\/Gold-N-Blue-Polarizer-03.jpg\" alt=\"\" width=\"300\" height=\"450\" \/><\/a>Rule one: Let only one color dominate<\/p>\n<p>One characteristic of the Gold-N-Blue Polarizer is that it pronounces the yellow\/red and blue tones strongly. I prefer to use the filter if I can let one color dominate. Here you can see a marvelous golden effect in the evening light. The blue tones work only discreetly in the sky.<\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/www.olafbathke.de\/photography-blog\/files\/2010\/10\/Gold-N-Blue-Polarizer-04.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-569\" src=\"https:\/\/www.olafbathke.de\/photography-blog\/files\/2010\/10\/Gold-N-Blue-Polarizer-04.jpg\" alt=\"\" width=\"548\" height=\"365\" srcset=\"https:\/\/www.olafbathke.de\/photography-blog\/files\/2010\/10\/Gold-N-Blue-Polarizer-04.jpg 548w, https:\/\/www.olafbathke.de\/photography-blog\/files\/2010\/10\/Gold-N-Blue-Polarizer-04-450x300.jpg 450w\" sizes=\"(max-width: 548px) 100vw, 548px\" \/><\/a>Rule two: Sometimes desaturation is the key<\/p>\n<p>Most landscape photographers saturate the colors in post production. The straight Gold-N-Blue Polarizer demands sometimes the opposite. Here you can see a desaturated photo from Sweden, which expresses the Nordic coolness.<\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/www.olafbathke.de\/photography-blog\/files\/2010\/10\/Gold-N-Blue-Polarizer-01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-566\" src=\"https:\/\/www.olafbathke.de\/photography-blog\/files\/2010\/10\/Gold-N-Blue-Polarizer-01.jpg\" alt=\"\" width=\"548\" height=\"365\" srcset=\"https:\/\/www.olafbathke.de\/photography-blog\/files\/2010\/10\/Gold-N-Blue-Polarizer-01.jpg 548w, https:\/\/www.olafbathke.de\/photography-blog\/files\/2010\/10\/Gold-N-Blue-Polarizer-01-450x300.jpg 450w\" sizes=\"(max-width: 548px) 100vw, 548px\" \/><\/a>Rule three: Gain nearly one stop and start earlier with long exposures<\/p>\n<p>The Gold-N-Blue Polarizer also has the effect that it lets less light into the camera. As a fan of time exposures, I appreciate this effect. It gives me nearly one stop of exposure extra. In the evening hours I usually can make the desired long exposure 30 minutes earlier.<\/p>\n<p>The Gold-N-Blue Polarizer is a great companion on all my photo tours. Do you use this kind of filter?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Optimal equipment is the basis for perfect photos. Equipment reliability and perfection is just as important as the knowledge about the possibilities of any gadget. As a believer of the principle \u201eless is more\u201c I limited myself to only the equipment that is necessary for the development of my photographic vision. Before a photo tour [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"class_list":["post-565","post","type-post","status-publish","format-standard","hentry","category-tips-and-tricks"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Gold-N-Blue Polarizer: Rules for the serious landscape photographer - Nature Photography - Olaf Bathke<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.olafbathke.de\/photography-blog\/2010\/10\/27\/gold-n-blue-polarizer-rules-for-the-serious-landscape-photographer\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gold-N-Blue Polarizer: Rules for the serious landscape photographer - Nature Photography - Olaf Bathke\" \/>\n<meta property=\"og:description\" content=\"Optimal equipment is the basis for perfect photos. Equipment reliability and perfection is just as important as the knowledge about the possibilities of any gadget. As a believer of the principle \u201eless is more\u201c I limited myself to only the equipment that is necessary for the development of my photographic vision. 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